A Mukherjee World View | ||
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Solo in MP: Sanchi
By Anamika Mukherjee
The train station is 100 m off the main road, and the intersection of the station road with the main road also serves as the central bus stand and drop-off point for taxis. Across the main road and less than 100 m down a shady lane, is the museum and the ticket counter for the monuments' enclosure. The monuments' enclosure itself is a fair distance up the road - and when I say up, I mean that literally. A winding, tarred road for vehicular traffic snakes up the hillside, and part way up, a set of steps serves as a pedestrian's shortcut to the top - though there are rather a lot of them (steps, that is, not pedestrians). There is a certain air here, of quietude, of serenity, of laziness, that makes you want to take your time even getting to the enclosure. The first sight that greeted me as I made it to the top of the infernal steps, was the New Temple of Buddha. It was a graceful structure, neatly finished in pastel colours, primarily pink. This was not exactly what I had expected. It didn't look very ancient. As I walked on a few steps, the ancient stupas, hidden by the rise, slowly came into view.
The first stupa I encountered at Sanchi, Stupa No. 1, as it is generally (and unsurprisingly) called, was the grandest. It had four doorways, facing the four cardinal directions. Each was intricately carved, and each was different. The carvings depict the life of Buddha and his attaining enlightenment. According to the tradition of the time, Buddha was never shown directly, but only symbolically, often as the Bodhisattva tree, familiarly known as the Bo tree. The interpretation of the various scenes was explained in great detail on boards in front of each gate. Unfortunately, the explanations were only in chaste Hindi. The guides who were buzzing around the enclosure would be only too happy to explain the carvings to you in any of a number of languages, should you feel inclined to let them - at a fee, of course. I could have spent a few minutes reading the detailed explanations, but I preferred to wander around and enjoy my own interpretations. |
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Comments and information welcome. Write to
anamika dot mukherjee at amukherjeeworld dot net |